Fashion with Trend

Vacation Inc revamps their beloved Orange Gelée

Anyone who has ever subscribed to beach culture likely knows the impact of Orange Gelée, the iconic balm-to-oil tanning gel with an instantly recognizable orange tint and a summery smell. First launched in France during the 1920s, this must-have sun staple went on to become a non-negotiable for beachgoers from the 1970s onwards, until it was discontinued in 2019.

If you’re one of the 15,000+ customers on Vaction Inc’s waitlist eagerly anticipating the arrival of the new Orange Gelée SPF 30 Sunscreen Gel, you’ll be happy to hear that the wait is finally over. For this relaunch, Vacation sought to maintain the look, feel and French Riviera scent of the OG gel, while updating its formula to include nourishing natural oils and broad spectrum SPF 30 protection. It’s back, baby!

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An iconic YSL Beauty lipstick gets a makeover

YSL Beauty has entered a new era of Loveshine. Expanding upon the dearly beloved collection, the French beauty brand has reinvented its Rouge Volupté Shine Lipstick to launch something even more fabulous: the YSL Loveshine Wet Shine Lipstick.

Available in 20 chic shades, this reimagined lipstick-meets-oil boasts a new and improved formula enhanced by fig pulp sourced from the YSL Ourika Community Gardens, and the brand’s signature six-oil blend. Plus, it’s got Dua Lipa’s stamp of approval.

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Armani Beauty launches juicy new lip glosses

You may think you know lip gloss, but you haven’t met Armani Beauty’s Prisma Glass glosses yet. Formulated with eight lip-loving ingredients — including skin-barrier strengthening squalene — these gorgeous glosses don’t compromise on lip care or colour.

From classic pink “Candy Halo” to poppy red “Cherry Glaze,” swipe on your favourite shade to witness their glass-like shine and long-lasting hydration, sans that dreaded sticky gloss finish.

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Briogeo drops a reparative shampoo

Briogeo just dropped their most powerful and sustainable repair shampoo ever, and it’s bound to work wonders on damaged hair of all types and textures. The Rich Rice Concentrate Shampoo is a concentrated water-activated treatment infused with the brand’s proprietary Rice Protein Complex that provides a gentle cleanse while strengthening damaged strands with key nutrients.

What’s more, thanks to its 3x concentrated, water-reduced formula, you’ll only need to use a small dollop of product for this shampoo to do its thing.

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Charlotte Tilbury’s first-ever self-tanner has arrived

We know (and love) Charlotte Tilbury for its luminous makeup and skincare offerings, but the brand has recently expanded into uncharted, yet very exciting territory with the launch of its first-ever self-tanner! Getting us geared up for spring and summer, Charlotte’s Beautiful Skin Island Glow Easy Tanning Drops are the gradually developing complexion enhancers designed to boost radiance, hydrate and plump up lacklustre skin.

Simply add a few tanning drops into your moisturizer for that fresh-from-Ibiza island glow. Gorgeous, darling!

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Rare Beauty unveils a collection of radiant blushes for spring

Pinch us, we’re dreaming! Rare Beauty, master of must-have blushes, has just debuted The Soft Pinch Luminous Powder Blush, a hybrid of the brand’s bestselling Soft Pinch Liquid Blush and the Positive Light Silky Touch Highlighter.

This highly pigmented cheek flusher is infused with multifaceted pearls that impart a natural-looking yet radiant finish. Plus, there are six shades to choose from, including light pink “Cheer,” terracotta “Love,” and mauve maroon “Truth.”

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Introducing Neur|AÉ

Allow us to introduce you to NEUR|AÉ, a newly launched neuroscience-based skincare brand developed by Sisley Group Laboratories. Inspired by the intrinsic link between our emotions, skin and brains, NEUR|AÉ is on a mission to “transform your skin and soul,” by exploring these connections. Its name translates from the Greek “neuron” to “sinew, cord, nerve,” referencing the body’s nervous system, and the AÉ symbolizes “activated by emotions.”

Utilizing proprietary NA3 Technology at the root of all its skincare, each product is activated through three neuromodulators: Neuro-ingredients (unique ingredients that go skin-deep to rejuvenate dull complexions), Neuro-fragrances (four essential oil-infused fragrances with aromatherapeutic effects), and Neurotextures (to provoke an emotional response upon application).

Launching with a slew of skincare wonders like Harmonie, The Serum, Énergie, The Cream and Sérénité, The Balm, head to the NEUR|AÉ site for more on the arrival of these emotion-evoking essentials.

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The post Vacation Inc’s Iconic Orange Gelée Is Back + More Beauty News appeared first on FASHION Magazine.

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The Chanel 2024 handbags campaign is as sexy as they come

 

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Penélope Cruz, Brad Pitt and Chanel handbags? We’re blinded by beauty! (Not that we’re complaining!) For Chanel’s 2024 handbags campaign, the luxury house tapped Cruz, a longtime Chanel ambassador, and Pitt to star in its latest short film.

Photographed and directed by duo Inez & Vinoodh and captured in the coastal town of Deauville, the black and white recording takes inspiration from the 1966 Nouvelle Vague movie, A Man and a Women. With these mega stars decked out in Chanel, the campaign is as sexy as you would expect. Who knew ordering a steak could be so sultry?

Anine Bing gets sporty with Reebok

Photography courtesy of Reebok

Are the Reebok x Anine Bing sneakers the new It shoe of the spring? We wouldn’t be surprised. The two brands have joined forces to put together a capsule collection re-imagining Reebok’s sporty styles from the ‘80s and ‘90s.

While the vintage-inspired athleisure assortment doesn’t launch until April 9, think of it as the ultimate weekend uniform with oversized tees, tailored shirts, sneakers and more.

Knix taps Gabrielle Union as its new global ambassador

Photography courtesy of Knix

Is there anything Gabrielle Union can’t do? If so, we haven’t found it yet. Enter her new role as Knix’s Global Ambassador. What exactly does that look like? For starters, she’s starring in the brand’s latest campaign and is debuting its new tagline “Knix for Life.” As for the rest, we’ll just have to see. But we expect it will be worth the wait.

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Florals get the royal treatment with the Burberry x Highgrove Gardens collab

Photography courtesy of Burberry

Is there anything more quintessentially British than Burberry? Well, perhaps the Royals. So it’s very fitting that the two English icons are celebrating the third year of their partnership with a new scarf and trench collection inspired by the private residence of His Majesty King Charles III and Queen Camilla, Highgrove Gardens.

The colourful assortments honours the steadfast work of King Charles III and The King’s Foundation, a charity founded by His Majesty which acts as custodian of Highgrove Gardens. And the illustrations were created by British artist Holly Mills, a graduate of the Royal Drawing School. An English rose if we ever saw one!

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Tiffany & Co. celebrates its icons

Photography courtesy of Tiffany & Co.

What does it take to be an icon in 2024? Just ask Tiffany & Co. Taking inspiration from legendary Tiffany & Co. window designer Gene Moore, the “With Love, Since 1837” campaign reveals the untold stories behind the luxury house’s most iconic jewelry collections: Lock, T, Knot, HardWear, Sixteen Stone and the Tiffany® Setting.

The images — shot by award-winning photographer and director Dan Tobin — feature all the famous emblems you expect from the brand in a beautiful, and imaginative new light: the New York skyline, intimate silhouettes and of course, that instantly recognizable Tiffany blue.

This article contains affiliate links, so we may earn a small commission when you make a purchase through links on our site at no additional cost to you.

The post Penélope Cruz and Brad Pitt Get Flirty in Chanel’s New Campaign + More Fashion News appeared first on FASHION Magazine.

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Fashion with Trend

The last few years have been an exciting time in the world of sustainable and environmentally friendly beauty brands. From major advancements in the use of recyclable and recycled materials, to a huge uptick in the popularity of refillable packaging, to waterless products and so much more, we love seeing our favourite brands stepping up their game when it comes to eco-friendly products and practices.

Read on to learn about some exciting new launches from our favourite sustainable beauty brands.

Josie Maran

After undergoing a total rebrand, Josie Maran is back and better than ever. Bestselling SKUs like the 100% Pure Argan Oil and the Whipped Argan Oil Body Butter have been completely reimagined, and are now available in more sustainable packaging with refill options.

Top up your glass jars using their BPA-free refill pouches (made from 30 per cent recycled materials) with the option to recycle them through TerraCycle. In preparation for the warmer months ahead, we’ll be picking up the Argan Oil + Sugar Balm Body Scrub in the Bohemian Fig scent to achieve smooth, summer-ready skin.

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Lush

Shampoo bars are eco-friendly little wonders — and some of the best ones on the market come from Lush. According to the brand, solid shampoo bars were actually invented by Lush’s very own co-founder, Mo Constantine, and cosmetic chemist Stan Krysztal in 1987.

A solid (ha!) alternative to standard shampoos (which require lots more energy and water to create),  Lush’s shampoo bars are completely plastic-free and self-preserving. Designed for oily hair and troubled scalps, their lemon-infused Jumping Juniper bar is the key to happier hair.

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Tata Harper

Luxury skincare brand Tata Harper proudly offers 100 per cent natural, nontoxic and cruelty-free beauty goodies that are instantly recognizable by their signature lime-coloured packaging. Self-titled “green beauty engineers,” Tata Harper produces completely biodegradable formulas made up of more than 300 ingredients from over 68 countries.

This lightweight Water-Lock Moisturizer includes 83 pumps of product that can be replenished by purchasing a 100 per cent recyclable refill pod. By going the refill route, you’ll be keeping 11 jars per year out of landfills.

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Saie

Always buzzy beauty brand Saie just dropped a multi-tasking concealer that conditions, hydrates and brightens all at once, all over the face. In addition to being best known for its skincare-powered products, Saie is also admired for its sustainability efforts.

The Slip Tint Radiant All-Over Concealer is stored in 50 per cent post-consumer recycled packaging that can be easily cleaned and recycled at home, via Pact Collective, or through participating Sephora stores.

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Ilia

You may be on the lookout for earth-conscious formulas and packaging, but what about your makeup brushes? Crafted from ethically harvested wood, soft man-made fibres and recyclable aluminum, Ilia’s new Complexion Brush is a reliable and responsible option. Complete your brush collection by shopping the rest of the brand’s vegan brush offerings.

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Youth to the People

As makers of responsible formulas stored in glass bottles and jars, Youth to the People is an eco-conscious force to be reckoned with. With a final goal of achieving net zero carbon emissions, the skincare brand has committed to a 25 per cent energy reduction across all operations by 2025.

Their hero product, the Superfood Gentle Antioxidant Cleanser, is easily refillable, so you only have to buy the original glass bottle once.

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Origins

Since 2009, Origins — a brand dedicated to plant science, skin physiology and sustainability — has planted over two million trees. Upholding their promise to deliver at least 90 per cent naturally derived new formulas, the new Plantscription™ Active Wrinkle Correction Serum comes in at 94 per cent naturally derived.

The entire Plantscription™ range caters to visibly repairing signs of aging with the aid of its star ingredient, Anogeissus — a tree grown in tropical climates with skin-firming properties.

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Ardell Beauty

Photography by Ardell Beauty

Beloved falsies brand Ardell Lashes is the go-to for affordable and easy-to-use faux lashes. The brand’s line of Eco Lashes is all that and more. Eco Lashes are made with 100 per cent sustainable fibres, hand-sewn on an organic cotton band, packaged in a biodegradable paper carton and printed with soy ink, using completely recyclable materials.

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Cheekbone Beauty

Photography by Cheekbone Beauty

Made-in-Canada brand (and the first Indigenous-owned brand to be carried on sephora.ca) Cheekbone Beauty‘s best-selling Sustain Lipsticks are stored in refillable packaging that is made from natural and renewable bio-based material. Each of the Sustain lipstick shades is named after the earth or land in one of 4,000 Indigenous languages.

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Boscia

Photography by Boscia

In accordance with Boscia’s ongoing commitment to offer packaging that is made from recyclable or post-consumer recycled material, or be refillable, by 2025, the refillable Probiotic Exfoliating Powder Face + Scalp container is the brand’s first plastic-free refill offering. The packaging is made of paper that can either be recycled or reused for storage.

Plus, the water-activated powder formula results in lower product weight, decreasing the number of necessary transportation vehicles and reducing the carbon footprint it requires for the Probiotic Exfoliating Powder Face + Scalp refill to reach store shelves.

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Attitude

Inclusive of a foundation, bronzer, blush and more, Montreal-based brand Attitude’s Oceanly™ plastic-free makeup line is a game changer. With EWG VERIFIED™ ingredients of natural origin and cardboard packaging, it’ll change your beauty routine for the better.

The brand’s flagship store, a plastic-free boutique on Saint-Denis Street in Montreal, was designed by architect David Dworkind and is complete with a filling station that encourages customers to refill and reuse their empty bottles.

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Drunk Elephant

Photography by Drunk Elephant

Need a re-up on your favourite Drunk Elephant moisturizers? Shop refill pods for best-sellers like the Protini Polypeptide Cream and Lala Retro Whipped Cream. Now you can get the Instagram-famous moisturizers for $10 less than the original price when you buy the convenient refills.

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Dermalogica

Dermalogica’s beloved Special Cleansing Gel is now available as a refill. Using 75 per cent less plastic, you can now indulge in your favourite soap-free, gentle-foaming cleanser while being gentle on the earth, too.

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Guerlain

Guerlain’s iconic collection of Aqua Allegoria fragrances is made up of ingredients with up to 95 per cent natural origin, and stored in bottles made from at least 15 per cent recycled glass. The newest scent to join this fragrance family is Florabloom, an eau de toilette bursting with vibrant floral notes like tuberose, iris, and violet.

When you’re running low on this dreamy scent, you can pick up a refill to top up your original.

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Nudestix

For Earth Month this year, Canadian brand Nudestix has re-partnered with The Canopy Project, an EarthDay.org project focused on conservation and reforestation. With each sale of the brand’s newly launched Nude Beach Eye Palette (featuring six sandy-beach-inspired shades), the brand will plant one tree.

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The post Sustainable Beauty Brands to Shop During Earth Month (and Beyond!) appeared first on FASHION Magazine.

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Fashion with Trend

I saw a clip of Meryl Streep making the rounds on TikTok recently. She was on a panel hosted by The Washington Post. “Women have learned to speak the language of men; they have lived in the house of men all their lives,” she said, underscoring women’s fluency within a man’s world — in Hollywood and otherwise. “Women speak men. But men don’t speak women.”

Over on the runways, however, men seem to be able to “speak” women just fine. Gucci, Balenciaga, Louis Vuitton, Valentino, Burberry, Saint Laurent, Celine, Bottega Veneta and Loewe are all major luxury brands headed up by male creative directors. And now, with the departure of its longtime lead Sarah Burton, Alexander McQueen joins the already lengthy list.

These high-up designers, like Jonathan Anderson at Loewe and Gucci’s recently appointed Sabato De Sarno, aren’t just speaking; they’re telling — telling women what to wear. Along the way, they’re racking up billions in sales, courting celebrity favour and earning breathless press coverage. Luxury fashion marches to a beat so familiar that it sounds like a broken record. Givenchy’s Clare Waight Keller? Replaced by Matthew Williams in 2020. Gucci’s Frida Giannini? Replaced by Alessandro Michele in 2015. And even Phoebe Philo, who didn’t just speak the language of women’s clothes but single-handedly rewrote it, was famously — and contentiously — succeeded by Hedi Slimane.

So, this invites the easy question “Where are all the women in fashion?” Why aren’t they getting a bigger share of these esteemed roles at storied houses?

“I think they’re everywhere,” says Mosha Lundström Halbert, a journalist and podcast host who also breaks down the latest fashion headlines on her popular TikTok account NewsFash. “Women aren’t just behind the scenes; they’re also behind the seams,” she says, alluding to the fact that at most fashion houses, the head seamstress is usually a woman. This all goes back to the roots of handicraft, sewing and dressmaking, which have historically been women’s pursuits.

@newsfash

@Prada’s Old Girls Club for fall ‘24 #prada #rafsimons #mfw #newsfash

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Lundström Halbert also brings up the fact that four of the most profitable (not to mention culturally relevant) fashion houses today — Chanel, Hermès, Prada and Dior — are helmed by women. And that’s nothing new. “Throughout history, there have been examples of women who were able to build these juggernaut businesses because of their keen understanding of what a woman wants to wear,” says Lundström Halbert, pointing to Coco Chanel herself, who popularized straps on handbags, and Elsa Schiaparelli and Sonia Rykiel, who pioneered the use of jerseys and knits to enhance comfort. Mary Quant gave the world the miniskirt; Norma Kamali, the shoulder pad. And recall Donna Karan, Diane von Furstenberg and Liz Claiborne — an unofficial holy trinity who dictated how fellow women dressed for work and leisure and helped define the fashion of the back half of the 20th century.

“If the proof is in the pudding — and the numbers don’t lie — and the success metrics are there, then why aren’t women getting these major roles?” wonders Lundström Halbert. “Sarah Burton is a treasure in the industry. I think it was such an oversight not to look for another female talent,” she muses, tossing out names like Iris van Herpen, Simone Rocha and Dilara Findikoglu as potential replacements at Alexander McQueen.

Alexander McQueen is owned by Kering, a luxury conglomerate that also counts Gucci, Balenciaga, Bottega Veneta and Saint Laurent as jewels in its crown, and with the replacement of Burton by Seán McGirr, all of these are now run by men.

“It’s very convenient to point fingers at a boardroom of men,” comments Timothy Chernyaev, an L.A. stylist and TikTok fashion critic whose account, Relax It’s Only Fashion, breaks down runway shows and offers commentary on larger industry moves. “But they’re hiring from their competitors’ houses.” It’s true: McGirr worked at JW Anderson; Pieter Mulier and Matthieu Blazy (who oversee Alaïa and Bottega Veneta, respectively) both worked under Raf Simons at Dior and Calvin Klein; and Daniel Roseberry, the creative director of Schiaparelli, reported to Thom Browne. “So it goes beyond the corporate structure; it is also in the creative structure. Are you hiring women?” Chernyaev wonders.

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“Men are cliquey in the same way that women can be cliquey,” he continues. “They have been working together for a long time, and they all have the same sort of visual vocabulary.” And this echo chamber of sameness doesn’t just shut out women; it shuts out other groups, too — most notably people of colour. In a fashion world largely dictated by designers who all seem to be cut from the same cloth, Maximilian Davis at Ferragamo and Olivier Rousteing at Balmain are just a few exceptions to the norm. When looked at through a more intersectional lens, hiring a Western European woman with decades of experience to fill a position for which she’s well qualified stops feeling like a major win for inclusivity and more like the minimum standard.

Chloé, a house that has historically favoured women designers, recently tapped Chemena Kamali as its new creative director, following the departure of Gabriela Hearst. Before her appointment, Kamali was the womenswear director at Saint Laurent, working under Anthony Vaccarello. “Now that I know a woman was the design director for women’s ready-to-wear at Saint Laurent, it makes sense,” says Chernyaev. “Because it looks like it was designed by a woman.”

Is there a difference between the work of women and the work of men? Male designers very much feel like they are always “for hire,” Lundström Halbert says, “whereas women have cultivated this community and cult of personality around them and their work and a fierce loyalty from their customers.”

For proof, look no further than Philo, who returned with her own line after a six-year hiatus. The pieces — including a simple leather tote priced at $8,000 — sold out almost instantly. “Philo can take however long she wants and still her loyalists will flock because of her work, her reputation and her legacy,” says Lundström Halbert.

Photography: Cecilie Bahnsen And Sandy Liang Via Launchmetrics.Com/Spotlight; Herskind Via Getty

If you look just beyond the conglomerate-owned luxury labels, women are, in fact, everywhere. There is Rei Kawakubo of Comme des Garçons; Sandy Liang and Cecilie Bahnsen, who are known for not only their feminine whimsy but also their commercially successful collaborations with accessible brands Baggu and Asics; Maria Cornejo, who won the CFDA’s Lifetime Achievement Award for her label, Zero + Maria Cornejo; Catherine Holstein’s Khaite, which carried the torch for considered womenswear in Philo’s absence; and Smythe, Marie Saint Pierre and Tanya Taylor of the Canadian set.

Birgitte Herskind is the Danish designer behind Herskind, which she runs with her daughter, building a modern heritage brand on her own terms. What would she do, hypothetically, if asked to head up a luxury house? “I would be flattered,” she says. “But Herskind is my heart; by having my own brand, I have freedom.” Lundström Halbert, who also happens to be the daughter of well-known Canadian designer Linda Lundström, opines that an eponymous self-run brand is ideal for a female designer who wants to create a legacy. “For the most part, the female designers who go down in the history of fashion have their names on their products,” she says. “Sometimes, working for another brand might make you largely forgettable.”

Maybe women aren’t being offered fashion’s top roles — or maybe they don’t want them in the first place. “Job security in the industry is at an all-time low,” says Lundström Halbert. When the relentless pace and commercial pressure of these roles are such heavy considerations, why not just do your own thing? “I see the next generation of women in fashion as brave, and by brave, I mean brave enough to demand a balance between work and private lives,” adds Herskind. “Brave to follow their intuition. Brave to be more creative.”

Women live in a world where so many of the products we rely on — from tampons to car seat belts — are not designed by us. Wouldn’t it be nice to hear fashion speak, with women doing their fair share of the talking?

This article first appeared in FASHION’s April 2024 issue. Find out more here.

The post Is Fashion Really One Big Boys Club? appeared first on FASHION Magazine.

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This article was originally published on November 23, 2022, and has been updated.

Update: More than a year after leaving Gucci, Alessandro Michele was named the new creative director of Valentino on March 28. This appointment comes just days following the announcement that Pierpaolo Piccioli would be stepping down from the role after 25 years. Michele’s first day at the Italian couture house is April 2, 2024, according to Vogue Business. His debut collection will be unveiled for Spring 2025, which is reportedly set to show during Paris Fashion Week this upcoming September.

In a statement posted to Instagram, Michele hinted at his vision for the brand. “My first thought goes to this story: to the richness of its cultural and symbolic heritage, to the sense of wonder it constantly generates, to the very precious identity given with their wildest love by founding fathers, Valentino Garavani and Giancarlo Giammetti,” he wrote in part. How will his memorable maximalist flair translate to the heritage house? Equipped with historical references and brand reverence, Alessandro Michele is sure to turn heads at the helm. 

 

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FASHION‘s original article about Michele’s exit from Gucci appears below. 

Some are shocked. Others aren’t. Either way, the news that Alessandro Michele is leaving Gucci is rocking the fashion world. And in a week that also saw Raf Simons shutting his label, that world had already been knocked off its axis.

Michele arrived at Gucci in 2015 with a bang, taking over from Frida Giannini who had carried Tom Ford’s sexy/suit-y legacy forward when he left the brand in the mid-oughts. But that formula was stale and predictable and it was time for something new. I attended Michele’s first fashion show for Gucci in Milan — one that divided opinions as sharply as one of the knife pleats on the runway. With men and women both dressed in floral suits and pussy bow blouses, many left thinking, “what was that?” Others loved the gender blending. It was a fresh, young attitude that would eventually seep into the mainstream.

A visit to the Gucci showroom to re-see that first collection was like witnessing an explosion of creativity splattered all over walls. There were jarring mixes of colours and patterns, geeky glasses, fur-trimmed grandma coats and beaded birds and bees that seemed randomly placed. There was also so much that had not made it to the runway. It was an excess of ideas and designs made even more remarkable because Michele had kept it all bottled up inside in the years he worked under Giannini.  It was clear that old school sexy had been replaced with something that seemed much smarter — unapologetic eccentricity. Michele’s fur-lined slides, which became a must-have as soon as his first collection hit the stores, were the first clue that there was an appetite for his brand of quirk. And that’s exactly what Alessandro Michele delivered through his seven years at the helm of Gucci.

The reason many are not surprised by Michele’s exit is that despite high-profile fans like Harry Styles and the buzz Michele was so brilliant at creating like with his Spring 2023 show featuring 68 pairs of identical twins, Gucci clothes and accessories had become too predictable. Designers, like artists, sometimes reach creative limits and Gucci’s parent company Kering is a public one that needs growth to make shareholders happy. But the true question is: did Michele leave to take a mental break or to join another brand (Burberry could sure use him)? Only time will tell but we’d be very surprised if another big name doesn’t snatch him up soon.

Until then, we’ve rounded up Alessandro Michele’s top 10 most memorable moments from Gucci, from the opening look of his debut to Lady Gaga’s epic purple moment at the premiere of House of Gucci.

Photography courtesy of ImaxTree

Photography courtesy of ImaxTree

Photography courtesy of ImaxTree

Photography by Getty Images

Photography courtesy of Gucci

Photography courtesy of Getty Images

Photography courtesy of Gucci

Photography by WireImage

Photo by Getty Images

Photography courtesy of Gucci

1/10

Gucci Fall 2015

2/10

Gucci Fall 2016

3/10

Gucci Fall 2018

4/10

Harry Styles at the 2021 Grammy Awards

5/10

Gucci ARIA Fall 2021

6/10

2022 – Gilded Glamour

Alessandro Michele and Jared Leto at the 2022 Met Gala

7/10

Gucci Love Parade Spring 2022

8/10

Lady Gaga at the UK Premiere of “House of Gucci”

9/10

Rihanna at the Gucci Fall 2023 show

10/10

Gucci Spring 2023

The post Alessandro Michele Is Valentino’s New Creative Director appeared first on FASHION Magazine.

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Warning: Contains minor spoilers for episodes 1-4 of Palm Royale.

They say clothing can tell you a lot about a person, but in Palm Royale, the new series from Apple TV+, it actually tells you literally nothing. Set in 1969 in Palm Beach, Florida and based on the 2018 novel Mr & Mrs. American Pie by Juliet McDaniel, the series follows Maxine Simmons (played by Kristen Wiig), a down-on-her-luck transplant via Tennessee and Georgia. Maxine is trying to find her way into the group of elite women that run the east coast enclave, comprised of Evelyn Rollins (Allison Janney), Dinah Donohue (Leslie Bibb) and a host of other women. Her way in? The Palm Royale beach club.

Shortly after scaling the wall of the elite club and sidling in the back door, a detained Maxine pleads her case to stay, emphasizing everything the storied institution has come to symbolize. “The Palm Royale represents safety in a rapidly changing world,” Maxine says. “Embodying that which is sacred; refined companionship, sanctity, and [a] deep heart conviction that beauty is not dead.” It’s a poetic framing of a club that, from the outside looking in, appears perfect, but as both Maxine and viewers will come to realize, is as a facade covering up the secrets and scandals in Palm Beach.

And the Palm Royale fashion does the same for its characters, with its sorbet swirl of patterns and textures splayed across 1960s silhouettes masking people’s true intentions — and realities.

Photography courtesy of Apple TV+

You see this right off the bat with characters like Janney’s Evelyn and Bibb’s Dinah. Meant to be the epitome of class in Palm Beach — both have been voted Volunteer of the Year, after all — Evelyn and Dinah lean into the classics with their clothing. Dinah, the wife of a sketchy club ambassador, is often seen trotting around the club in cream shift dresses. channeling Jackie O as a way of conveying her class and social standing. Meanwhile, she’s having a longstanding affair and is madly in love with the Cuban tennis coach at the club.

And even feminist store book owner Linda (played by Laura Dern), isn’t 100 per cent authentic in how she presents herself either. Her love of loose denim, earth tones and turquoise cover up her own dirty little secret: She also comes from Palm Beach’s elite. (Along with her other, more deadly secret, to boot.)

Photography courtesy of Apple TV+

Despite the importance of the Palm Royale fashion, it’s ironically only when the women are unclothed, wrapped in towels in the club’s sauna, stripped of their sartorial trappings and at their most physically vulnerable, that they first allow themselves to be emotionally vulnerable — or at least truthful. And in the world of Palm Beach, truthful means harsh. Relaxing after a round of tennis with Dina, Dina’s husband and Dina’s lover (it’s complicated), Maxine is confronted with what the women of Palm Beach *really* think of her, when Evelyn details that everyone assumes she trapped her husband into marriage with a fake pregnancy.

It’s a slap in the face for the former pageant queen, who, despite a chilly welcome, is still trying to see the best in her new set of friends; but it also serves as one of the most transparent moments at the start of the series, with Maxine and and her would be friends exposed for who they truly are.

That isn’t to say that the characters have to be naked for their intentions to be clear. Because if Palm Beach has taught us anything, it’s the harder you try to fit in, the more you’ll inevitably stand out.

Photography courtesy of Apple TV+

When we first meet Maxine, shortly after she’s scaled the back wall and finessed her way into the club, the club members can tell she didn’t come in through the front door, and she’s informed that her drink of choice (a Grasshopper) will be charged on credit. It’s not necessarily because of her small-town Tennessee accent or her almost toxic pageant-girl positivity (she is, after all, a three-time beauty queen), but rather what she chooses to wear. While the It girls of the Royale are donning designer, Maxine is always just a step behind the times, wearing girly (and sometimes almost infantile) Lily Pulitzer-style minidresses and kerchiefs that signal country bumpkin rather than society debutante.

It’s an apt depiction of Maxine’s own naïveté when it comes to the world of Palm Beach. Not to mention the fact that she’s running around town with a Gucci clutch from *gasps* the 1960s, something her new BFF Dina quickly shares is a dead giveaway. After asking if Maxine has enough money to afford the $30k club fees, Dina notes: “Your clutch is from Gucci’s 1960 collection. It’s lovely, certainly quality, but I’m sorry to say it gives you away.”

Photography courtesy of Apple TV+

There are, of course, two reasons for this: The fact that, as a recent transplant, Maxine can’t afford the designers du jour, and the very important fact that — at least in the first several episodes — she’s pilfering all of her outfits, jewels and bags from a comatose relative, Norma Dellacort. “Why don’t you have anything from this decade?” an exasperated Maxine asks the family matriarch, all before she borrows — and pawns — some of her priceless jewels (she’s going to buy them back eventually, she says, don’t worry).

This scrappy introduction is also what makes Maxine’s inevitable, if rocky rise, in the society ranks so exciting, and is symbolized through her own subtle yet impactful style evolution. As Maxine slowly finds her place among the society set and understanding the inner-workings of wealth, she maintains some of the youthful and naïve energy she brought from the South, setting herself apart from the deep purple and stark white preferred by her peers through saturated citrus colours.

By the time Maxine whisks invites the ladies over for cocktails in episode three, decked out in a tangerine caftan (seriously to die for), it’s hard not to feel like she’s figured out this whole sophistication thing and come into her own.

Of course, this Palm Royale fashion evolution is once again a mask that only goes skin deep. Yes, Maxine is now rocking an Evelyn-esque outfit, a sign that she’s become more self-assured, but viewers know the truth. Her new designers clothes? She can’t actually afford them. Her chic cocktail hour? A haphazard fête thrown together with a $400 order of seafood, a budget table scape from a friend and hosted in a mansion she doesn’t actually live in. Or own.

As Palm Royale’s costume designer Alix Freidberg noted in an interview with The Hollywood Reporter, despite adopting some of the trappings of the elite, Maxine is never fully able to get there — her sun hats *just* a little too wide, her skirts just a tad too short and her eagerness just always a bit too visible to ever truly fit in.

But that doesn’t mean she isn’t going to stop trying. Which means ever better — and more flamboyant — outfits to come. Here’s hoping.

The post In <i>Palm Royale</i>, Clothing Masks Reality appeared first on FASHION Magazine.

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Fashion with Trend

How many ways can you wear a bob? If the cropped haircuts spotted on celebrities so far this year are any indication, it appears the limit does not exist. Settling anywhere between chin and shoulder lengths, bob haircuts for women are the hairstyle du jour.

Blunt cut, shaggy, micro-cropped, we don’t discriminate! This timeless hairstyle is shaping up (get it?) to be the biggest haircut trend of the year. Just look to the 2024 Golden Globes where the red carpet was illuminated with film and television stars rocking bob after bob. From Emma Stone’s red-hot retro lob to Ayo Edibiri’s flipped-out ends, who knew there were so many ways to work this short and chic style?

Read on as we break down the best ways to wear bob cuts, and how to style them.

The blonde bob

 

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Bob season is still going strong. On March 25, Elle Fanning became the latest celeb to debut the face-framing cut. Taking to Instagram, the The Great actress shared a series of glam-free selfies sporting the fresh blonde chop by hairstylist Jenda Alcorn.

The key to Fanning’s new look is a blowout roughed up with a touch of texturizing spray to give it that subtle bedhead vibe.

The retro lob

 

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Much like flared pants remind us of the 1970s, a longer bob (lob) haircut complete with flipped-out ends has a retro feel that anyone with shorter hair should be running to replicate.

Take Emma Stone for example, who accepted her Best Actress in a Musical or Comedy Motion Picture award at the 2024 Golden Globes flaunting a blunt copper crop with flipped-out ends. Stone’s stylist Mara Roszak used products from her haircare line, Rōz, to give the Poor Things actress lifted roots and a long-lasting hold to ensure her flared ends didn’t fall flat during the show.

The side-parted micro-bob

 

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Never underestimate how switching up your part can give you a whole new look. Case in point: Cailee Spaeny’s side-parted micro bob at the 2024 Golden Globes was quite the departure from the bouffant wigs she wore as the leading lady in Sofia Coppola’s Priscilla.

With a side-swept soft curl and the remainder of her hair tucked behind her ear, the Golden Globe-nominated actress looked elegant as ever with this hairdo sculpted by Kiley Fitzgerald.

The “Rachel” 2.0

Photography by Getty Images

Remember Rachel Green’s layered lob from Friends? At this month’s Golden Globes, Jennifer Aniston revived her character’s signature haircut with a “Rachel 2.0” crop.

If you want your stylist to recreate this ’90s-esque cut, take notes from Aniston’s stylist Chris McMillan, who described the look as having a “soft blunt perimeter for the length and invisible layers throughout” on Instagram. He then went on to list the products used to prep for this style, which included a shampoo, conditioner, hair paste and oil from Lolavie — the haircare line Aniston launched in 2021.

Flipped-out ends

 

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Think super-cropped bobs are too short to be styled? Think again! Pair this length with flicked ends for chic, cool-girl vibes.

On the 2024 Golden Globes red carpet, Golden Globe winner Ayo Edebiri (The Bear) sported a middle-parted nano-bob styled by Miles Jeffries with flipped-out ends. To test this look out for yourself, all you’ll need to do is straighten your hair with a flat iron as usual — but flip the outwards, instead of making one completely straight pass.

The Roaring ’20s crop

 

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Adding a little curvature to your bob cut with soft finger waves and C-curls is a surefire way to instantly elevate your look. Past Lives actress Greta Lee’s 2024 Golden Globes hairdo, styled by Jenny Cho, was fully giving Roaring ’20s Gatsby girl, and we adored it. Not one hair was out of place, and it was an absolute high-gloss masterpiece.

If you ask us, this Jazz age-inspired style will forever stand the test of time.

The lived-in bob

 

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Keeping up with a bob can feel like a lot of maintenance at times, but if worn the right way, you can use the slept-in, tousled look to your advantage. Just ask America Ferrera!

In an interview with Byrdie, hairstylist Aviva Perea revealed that her goal for the Barbie actress’s 2024 Golden Globes look was something that appeared “a little more lived in,” as though Ferrera had styled her hair the previous day. To achieve this effortless-looking style, Perea went in with a flat iron and created slight flicks and bends.

The full-of-body bob

 

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Bobs can be big, bouncy, and full of body, too. At Sunday’s Golden Globes, Sheryl Lee Ralph perfectly demonstrated how to give a bob a boost of volume.

Ralph opted for a dramatic side part and a cascade of lush curls styled by SherriAnn Cole for her red carpet look. For a sultry touch, the Abbott Elementary star’s bang was swept just over her eye.

The middle part crop

 

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Partial to a sharp middle part? Try emulating Maestro actress Carey Mulligan’s chic hairdo from this year’s Golden Globes. Also styled by Jenny Cho, it’s a hairdo minimalists will love.

To get this look, Mulligan’s bob was styled using an assortment of Briogeo products and tools, such as the Don’t Despair, Repair! leave-in treatment and the Vegan Boar Bristle Brush. To incorporate that classic glamour feel (which matched her 1949-inspired Schiaparelli dress), her chin-length hair was flipped under at the ends.

The old Hollywood lob

Photography by Getty Images, courtesy of Fendi

When your hair hits lob length, you may be at a loss for which look to try next. May we suggest going for an old Hollywood style? It should have a deep side part and an exaggerated S-wave to emphasize that silver screen-worthy vibe.

True to her signature look, Naomi Watts was a vision of timeless beauty at the 2024 Golden Globes with her own vintage-inspired lob, which playfully incorporated a mixture of both curled and straightened strands. Marki Shkreli, who has also styled Charlize Theron and Lily Collins’ hair, was the artist behind the look. What’s a red carpet without at least one nod to old Hollywood?

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The post 2024 Is the Year of the Bob Haircut — Just Ask These Celebs appeared first on FASHION Magazine.

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