Thursday, 2 March 2023

Fashion with Trend

Red carpet season is in full swing and whether you’re into soft romantic waves, flouncy blowouts or sleek updos, there’s a hairstyle to inspire everyone (and attempt from home).

When digging into the secret behind these flawless celebrity looks, we discovered that its equal parts technique and choice of styling tools—and Dyson’s hair tools are usually the first to come to mind. Their innovative and award-winning range of styling tools has drummed up a lot of attention for good reason. They’ve each been technologically engineered to create better styles, for different hair types with less heat damage.

To really get into award show season, we asked celebrity hairstylist and Dyson Global Styling Ambassador Matthew Collins for his hottest styling tips and how we can recreate six of our favourite looks from home using Dyson’s beloved tool collection, including the Dyson SupersonicTM hair dryer, the Dyson AirwrapTM multi-styler and the Dyson CorraleTM straightener.

Camila Cabello’s tousled bangs and textured waves at the Grammys

 

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To create this sexy style, start by wetting the roots of your fringe really well and applying a small amount of volume mousse. Next, grab a brush and the powerful Dyson Supersonic hair dryerTM. Pop on the Styling concentrator attachment and blow dry your bangs in a back-and-forth motion so they’ll eventually lay flat, instructs Collins. The wide and thin design of the Styling concentrator is great for focused styling since it creates a high-velocity blade of air.

Then, swap in the Gentle Air attachment (great for faster, cooler drying without extra heat damage), flip your head upside down and blow-dry the rest of your hair to create as much volume as possible. Add in some textured waves using the Dyson Corrale straightenerTM. Taking inch-wide sections, start slow at the roots and turn the Corrale out away from your face and then move quickly from the midshaft to the ends.

“The Corrale has flexing plates, so it gathers every hair in your section properly, so you don’t have to squeeze the straightener. What this means is you get greater control, making it much easier to style and allows you to use fewer passes, which means less heat damage,” says Collins. Finish by brushing your hair with a wide-tooth comb, spray some texture spray and bind a few pieces with a little bit of dry paste.

Lizzo’s glossy curls at the Grammys

 

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Lizzo stole the show with this slick look. Start with wet hair, then comb out tangles and use your fingers to help form your curls. “Apply lots of smoothing conditioning products like leave-in conditioner and oil to get that high gloss look,” says Collins. Apply hair gel throughout for hold (not too much—you don’t want stiff curls). Gently comb out any tangles with a wide-tooth comb and softly blow dry using the Dyson Supersonic hair dryerTM and the Diffuser attachment. Diffuse your hair from the side rather than cupping your curl clumps from the bottom. Finish with a shine spray to make it look even glossier.

Bebe Rexha’s disco blowout at the Grammys

 

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Rexha turned heads with this Farrah Fawcett-inspired ‘do. Part your hair down the middle and using the Dyson Airwrap multi-stylerTM with the 30mm Airwrap barrel, start curling your hair out and away from your face. The cool tip on the Dyson Airwrap multi-stylerTM rotates to change the direction of your curl, making it easy to mimic this style. As you curl each section, leave the Airwrap on hot for 10 to 15 seconds, then use the cold shot for five to 10 seconds to help set your curl. When you get to the front of your hair, hold the Airwrap at a 45-degree angle to create the flip. Use a lot of mousse or texture spray to add elasticity to your hair, suggests Collins. To finish, gently brush it out and apply a mist of strong hold hairspray, making sure your hair is lifting away from your face.

Brandi Carlile’s short, wavy look at the Grammys

 

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Create Carlile’s cool wavy style by first applying mousse or texture spray on damp hair. Then, use the Dyson Airwrap multi-stylerTM with the Small firm smoothing brush attachment and brush your hair back until dry. “You can also brush it a little bit forward on top to create that kick-up she has,” says Collins. Next, grab your Dyson Corrale straightenerTM and create different types of textures and curls. “It’s very sporadic, not perfect,” says Collins. Finally, apply a little bit of texture paste to create smoothness and shine. Hot tip: For an extra voluminous side part, style your hair in the opposite direction and then flip it over.

Kerry Washington’s voluminous natural ponytail at Critics Choice

 

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“One of the greatest things we’ve seen in the last few years is embracing natural hair on the red carpet, which is amazing,” says Collins. To create this extra voluminous ponytail, start by getting extensions that match your natural hair colour and texture. Wet them, hang them on clothes hangers, and let them air dry or use your Dyson Supersonic hair dryerTM with the Diffuser attachment for five to 10 minutes. For your hair, create a centre part and apply a light gel, then pull it back into a lower ponytail at the occipital bone. Start clipping in your extensions throughout your hair up to behind your ears, and then blend them in. You can do this upside down to create extra volume. Use a wide tooth comb to break up the texture a little, as it’s meant to look a bit tousled.

Ready to rock these red carpet looks? Click here to learn more and scroll below to shop Dyson’s range of styling tools

The post 5 Celebrity-Approved Red Carpet-Ready Hairstyles appeared first on FASHION Magazine.



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Fashion with Trend

This article was originally published on April 21, 2021 and has been updated. 

The 2023 Oscar nominations were released on January 24 and there were, reliably, some lovely surprises (like Everything Everywhere All at Once snagging 11 nods) and bummer disappointments (like Viola Davis being shut out of the Best Actress category for her The Woman King performance). But we’d be remiss if we didn’t admit that the mere mention of the Academy Awards got us excited about the red carpet. Might be the haute couture shows happening in Paris right now, might be the fumes of fashion joy from the Golden Globes, but the March 12 Oscars can’t come soon enough. In preparation, we’re sharing FASHION editors picks for the best Oscars dresses ever. Read on for why these unforgettable Oscars looks will go down in history.

Zendaya in Valentino (2022)

Photography by Getty Images

For anyone who has ever questioned the power of fashion, let me introduce you to Zendaya. Before she met her stylist Law Roach, she was a young teen on the Disney Channel. Now? She’s won two Emmys and is the most in-demand actress/brand ambassador/general It girl on the planet. Roach built her brand from the ground up using independent designers and sheer talent, and this Valentino look from the 2022 Oscars feels like the pinnacle of their working relationship. It’s chic, effortless, and, most important of all, surprising. —Annika Lautens, fashion news director

Cher in Bob Mackie (1986)

best oscar dresses ever: cher in bob mackie
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And the award for Fashion Revenge goes to…Cher! The Bob Mackie creation might not be so shocking today, but in 1986 it ruffled more feathers than in the headdress that topped the wild and witchy look. Miffed at not being nominated for her role in Mask, the singer asked Mackie for a design that would convey her annoyance for not being taken seriously as an actress. Two years later she beat Meryl Streep, winning Best Actress for Moonstruck. —Bernadette Morra, editor-in-chief

Billy Porter in Christian Siriano (2019)

best oscar dresses ever: billy porter
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We’ve seen many women sport tuxedos and suiting on the red carpet, but Billy Porter’s turn in a custom “tuxedo dress” by New York-based designer Christian Siriano stole the show in 2019. No stranger to going completely — and authentically — OTT with his event ensembles, Porter’s captivating look (a velvet tuxedo jacket and frilled, french-cuffed shirt mixed with a lush full-length velvet gown) was a major move forward for the notion of genderless dressing during one of the world’s most-viewed moments. A breath of fabulous fresh air, indeed! —Odessa Paloma Parker, contributor 

Gemma Chan in Valentino Couture (2019)

best oscar dresses ever: gemma chan
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Simply put, this Valentino Couture gown that Gemma Chan wore to the 2019 Oscars is a statement. There’s no hiding when you have a starched, ruffled collar emerging from billowing layers of punchy pink taffeta. But Chan wears it almost nonchalantly, thanks to the hidden pockets which she later revealed were holding cookies and rice crackers, a little something to get her through the three-hour ceremony. —Sarah Mariotti, contributor

Céline Dion in Dior (1999)

best oscar dresses ever: celine dion
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Céline Dion goes down in the fashion hall of fame for her backwards and backless tuxedo and matching hat by John Galliano for Dior. More than 20 years ago, the look received backlash and was considered inappropriate on a red carpet dominated by glitter and gowns. Looking back, Dion’s game-changing ensemble was way ahead of its time — traditions and rules are meant  to be broken! I hope we have more of these moments going forward in Hollywood. —George Antonopoulos, fashion and creative director

Halle Berry in Elie Saab (2002)

best oscar dresses ever: halle berry
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I’ll be the first to admit that I’m guilty of using the word iconic far too loosely, but Halle Berry’s Elie Saab number at the 2002 Academy Awards (the year she won Best Actress for her role in Monster’s Ball and became the first Black woman to win the award!) is definitely worthy of the title. Between the jaw-dropping (for 2002, at least) sheer panelling, the silk skirt in that unforgettable rich burgundy shade, the beautiful embroidery work and Berry’s pixie cut that’s equally iconic (sorry but also undeniably true!), it’ll forever be a red carpet look that lives in my head rent-free. —Souzan Michael Galway, contributor

Lauren Hutton in Halston (1975)

best oscar dresses ever: lauren hutton
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Maybe it’s the fact that I’m longing for a ridiculously glam night on the town, but I could cry a river gazing at this disco dream on gap-toothed babe Lauren Hutton. The magic of this Halston look is that while it’s emblematic of the disco era, it would look just as fun at a fancy fête today (swapping the chubby fur for a faux option, naturally) as it did in 1975. Those layers of pastel rainbow chiffon! The plunging neckline and skinny belt! I may have January blues-induced Saturday night fever, but someone get me on a dance floor, stat. —Jennifer Berry, digital director

The post The Most Iconic Oscars Looks Ever, As Chosen By <em>FASHION</em> Editors appeared first on FASHION Magazine.



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Fashion with Trend

This article was originally published in December 2020 and has been updated.

Are you thinking about buying a watch? As a beautiful object and as a metaphor, the wristwatch may be the ultimate heirloom. It witnesses both the mundane moments and the milestones in our daily lives, and its design is an intimate expression of taste. Collecting watches is like embarking on a lifelong adventure; both vintage and new models, either of which can be rare, appreciate with changing trends — as do historically important timepieces or those with a celebrity pedigree. For example, the iconic 1962 Cartier Tank watch that belonged to Jacqueline Kennedy Onassis was sold for over $500,000 to Kim Kardashian at a Christie’s auction in 2017.

RELATED: Inside the Remarkable Coat Closet of a Vintage Clothing Retailer

Here are eight things watch collectors Dan Tanenbaum, Jeremy Ong, Pedro Mendes and Kat Shoulders and Katlen Schmid say you need to know before buying a watch.

1. Do your research

To talk shop about watch specs, learn the lingo pertaining to shape, finishing and balance as well as engineering: Think case size, thickness and crown, and know a tourbillon from a minute repeater. And bone up on a piece’s background. “Know the history behind it, get it checked out and don’t hesitate to pay a premium with a dealer,” says Dan Tanenbaum. “It’ll give you peace of mind and give the watch credibility.”

2. Know your size

Familiarize yourself with dimensions that work best for you. Kat shoulders, of the horology podcast Tenn & Two, advises that most vintage men’s watches from the ’30s and ’40s are particularly suited to women’s wrist proportions. Know thicknesses and dimensions, because brands like Rolex list case sizes (for example, 34 mm, 36 mm and 41 mm) as opposed to “women’s” or “men’s” on the label.

3. Get a few tools, and store watches properly for protection

A loupe and watchmaking repair tools like fine screwdrivers, a spring bar tool (for changing the strap without scratching the case) and a case opener are essential; try precision-made Swiss brand Bergeon’s wares. Make sure to budget for the fact that in order to maintain their mechanical movements, higher-end and vintage watches should be professionally serviced about every five years. Toronto podcast producer and writer Pedro Mendes stores his watches in display boxes so he can appreciate them while keeping them clean, free of dust and away from the sun’s damaging rays.

4. Buying a watch is best done in person

Unless you’re dealing with a reputable auction house or an horology dealer, vet significant vintage purchases (anything in the five figures) in person — especially with harder-to-find grails. Collector Jeremy Ong once flew to Manila to inspect a private seller’s Universal Genève Tri-Compax 222102 from the ’60s (a rare variant model nicknamed “the Evil Clapton”) before buying it.

5. Combine your interests

“If they include water or outdoor activities, there’s a whole genre of dive and field watches,” says Mendes. “And if they’re art deco or jazz, there are whole streams of watches that come out of that design aesthetic. For me, it’s satisfying to make those connections.”

@girlsoclock

A closerrrr look at where we get some of our fashion inspo 😚 #rolex #cartier #hermes #longines #watches #fashion #styling #matiladjerf #lillysisto #ivygetty #lilychee @lilychee @lilly_sisto @matildadjerf @ivygetty #greenscreen

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6. Join a community to satisfy your curiosity

“I’ve met collectors from all walks of life, all bonded together by a common hobby,” Ong says of joining Instagram to share collection photos. “It gets your name out there, and I’ve made a bunch of new watch friends and also attained some pretty amazing pieces.” Podcast Tenn & Two’s Katlen Schmidt loves these personal connections. “More than the watches, the neat thing about this and any hobby is the people,” she says. “You make so many friendships.”

7. Know when to let go

Trial and error is part of collecting. As you grow more confident, you can swap and sell watches you’re less interested in to fund other pieces and trade up. “I think it’s always changing,” says Schmidt. “You can never say it’s your watch collection until the end of time.” Adds Shoulders: “I went through a major flipping phase — watches coming in and going out. I don’t regret it. I think I learned a lot about myself.”

8. Be patient

“You should never be in a rush, like ‘I have to get this tomorrow’ or ‘It’s my husband’s 50th birthday in a week,’” advises Tanenbaum, especially with hard- to-find models. “If you’re not in a hurry for it, you’ll get a great example — that’s true with the collecting of anything.”

A version of this article originally appeared in the Winter 2020 issue of FASHION magazine. 

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Wednesday, 1 March 2023

Fashion with Trend

We missed seeing Zendaya and her awe-inspiring looks on the red carpet. Luckily for us, this awards season she’s back in full force and we couldn’t be more thrilled. The NAACP Image Awards and SAG Awards red carpets at the end of February served as the backdrop for two major glam moments from the Euphoria actor that we simply adore.

RELATED: The Chanel Lipstick This Makeup Artist Uses on Margot Robbie, and Everyone

With a retro bouncy bouffant bob and a mod ’60s lash moment à la Twiggy, Zendaya exuded an air of Old Hollywood beauty that commanded our attention on both red carpets.

 

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For the 54th NAACP Image Awards held on February 25, the twice-nominated actress wore two vintage ensembles from Versace (pictured above) and Prada. And her subtle soft glam was versatile enough to keep up with the costume change. The mood for this makeup look was nude — from her polished brows and a light wash of warm eyeshadow, to her brown-lined lips blended into a powdery pink matte pout using Lancôme’s L’Absolu Rouge Drama Matte lipstick in the shade “274 French Tea.

 

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To complement her rosette-covered duchess pink Valentino dress at the SAG Awards the following night, Z upped the ante with a sugar-pink mod makeup look. On the eyes, Lancôme’s “Pink Pearls,” and “Filigree,”  Colour Design eyeshadows created a lustrous lid look, with an iridescent pop of shimmer at the inner corner to further liven up her glam. A lower lash line full of mascara-coated and pinched lashes added a Twiggy sort of flair to tie it all together. Over the cheeks, a swipe of a statement petal pink blush matching her lipstick caught our eye from every angle.

 

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Makeup mastermind Raoúl Alejandre is the artist behind both of Zendaya’s jaw-dropping recent looks, but these two have been a dynamic beauty duo for years. Yes, we do still think about that wet-lid eyeshadow look he executed on the actress in 2021. You may also recognize his work on fellow Euphoria actress Alexa Demie, or in luxury beauty campaigns for Valentino and Lancôme. Rest assured that when Alejandre is responsible for Zendaya’s makeup, there will signatures like fresh skin, a pop of metallic, or a spider lash involved.

 

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And you didn’t think we’d forget to break down her blowout bob, did you? For both events, a side-parted glossy bouffant styled by Tai Simon using OGX products — like their Silk Blowout Spray and Coconut Curls Decadent Creamy Mousse — added to the overall Old Hollywood appeal. When the actress first debuted her bob at a Euphoria reunion back in December 2022, we couldn’t wait to see how she would continue to style her new hairdo. And while knew she would always look like a dream because, well, she’s Zendaya, this cut and colour is proving to be one of her best looks yet.

 

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It only takes one glance at this Emmy Award winner’s archive of red carpet moments (or her Instagram feed!) to determine that she is always up for trying new beauty looks. As a result, Zendaya keeps us on our toes wondering what she’ll do next with her hair and makeup. Be it a braided updo or a graphic liner moment, count on Zendaya to bring sheer glamour with an element of surprise to every red carpet she reigns over.

The post Zendaya Is Back on the Red Carpet — and Her Glam Is Better Than Ever appeared first on FASHION Magazine.



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Fashion with Trend

We’re continuing to honour Black excellence beyond Black History Month by amplifying Black Canadian media trailblazers who are achieving incredible firsts, creating new paths and inspiring others along the way.

A graduate of Toronto’s College of Sports Media, award-winning broadcaster Kayla Grey started out as an intern for the Toronto Argonauts before venturing to Winnipeg as a beat news reporter and later Prince Rupert, British Columbia to cover local sports. Today, the 30-year-old mother of one is an anchor for SportsCentre on TSN (her 2018 debut on the network made her the first Black woman to host a flagship sports highlight show in Canada), a sideline reporter for the Toronto Raptors, and co-producer and host of The Shift, a game-changing show she launched on TSN.ca in 2021 that covers topics at the intersection of sports, life and culture. Here, Grey talks to FASHION about her show, her personal style and the importance of being your true self.

RELATED: How My Jamaican Culture Has Helped Me To Not Fear Aging

On how The Shift came to be:

“The Shift came out of frustration [with] what I was not seeing in media. I felt like there wasn’t a place that was allowing certain viewers and audiences to feel seen and heard and I was done just talking about it. So I started putting in the work by thinking about, if I were to have a show in sports that made me feel seen or heard, and that didn’t require me having to stream American ESPN to see myself represented on television, what would it look like? Once I came up with the show idea and how I wanted it to look, I eventually went into a brand partnership at TSN who helped me pitch it to Dell at the time.

 

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“I created The Shift during a time when there was a lot of trauma within marginalized communities being highlighted. I wanted the show to be a place where that was spoken about and where we could hold space for the really rough and tough conversations that needed to be had. But, I also high key wanted it to be a place where it also really highlighted joy — Black joy. I thought that, as media, we weren’t doing a good job in terms of balance — talking about a community’s lack but also highlighting what a community has. The Black community already knows what it doesn’t have. I feel like there needs to be reminders of what we do — of what we have done and what we can create. Reminders of the groundwork that we have already laid and where we’re headed next. I wanted a show that really embodied all of that.”

On pushback and difficulties she faced along the way:

“There were naysayers who would comment like, ‘Oh, she’s just getting a show because she’s Black and because of the climate right now. This is the trend right now.’ There was definitely that element to it. But at some point you have to turn off the noise and do your thing and understand that I’ve put in years and years into my craft and my place in this industry. I would expect good things to happen to someone who works incredibly hard to position themselves.

“There was also [pressure of feeling] like the show had to make sense to everybody — even to people it probably would never make sense to in the first place. I faced comments like, ‘It’s not going work. It’s not going resonate.’ I think when you push something on the mainstream, you always have these thoughts in the back of your head like, how is this content digestible? How is it going to be monetized? But often, you’re gearing those types of questions towards a white audience only. I had to let go of all of that to prove that it could be done — and not only done well but received well, too.”

On overcoming biases and microagressions throughout her career:

“I remember someone had the audacity during my very first on-air experience to tell me that ‘Someone who looks like you should be lucky that you even have a job.’ And with me being a woman — a Black woman — around professional athletes, there have been people over the years (never the players themselves) who have objectified me. To them it’s like, ‘God forbid this ‘object’ actually has something to say about sports. She must be here for other reasons.’ It sometimes feels like, as a woman in this industry, you are hyper-sexualized in that sense. Also, when you start to advocate for yourself as a Black woman, some people can often take that as ‘she’s angry’ or ‘she’s defiant.’ That’s how you’re automatically described when you set boundaries for yourself. So for the longest time, as I result, I would dress a certain way and talk a certain way — hide my true light so that I could fly under the radar and not be seen as ‘other,’ because I just wanted to feel safe at work and safe in this industry. Eventually, I had to check myself because it was taking so much energy trying to be who I’m not and I knew I wouldn’t get far playing that game. I’ve discovered that the more authentic I am, the more things flow my way.”

 

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More on being a woman in the sports space:

“It’s still a very male-dominated industry, but there are a bunch of women that have entered the game. I’m seeing sideline reporting done by predominantly women. I’m seeing more women in front office positions, in tech and also in the sports science space, which is great! But it’s been this old boys club for a very, very long time, so certain conversations have been slow moving — there are certain rules that haven’t been made, boundaries that haven’t been established. It’s one thing to have women in this space, it’s another to make us feel safe, supported and like we are allowed to have a sense of balance. Like when I got pregnant with my son, I remember not wanting to tell anyone for months, and trying to figure out how my professional and personal goals could coexist — because it felt like the groundwork had been laid for them not to be able to coexist. It’s not like anyone had told me that flat out, but it felt like there was this unwritten rule or suggestion that once you have a baby your career is done. That it’s time to find something else. That’s the assumption I had and I know it didn’t just come out of nowhere. It wasn’t a story that I was simply telling myself. So I rushed back six weeks after I gave birth because I felt like I was going to be forgotten about.”

 

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How fashion and personal style play a critical role:

“I know I have a great personality — I love who I am — and I’m really learning to enjoy it by expressing myself more, especially through the clothes I wear. I like to play in both the masculine and feminine worlds with my style; I adore my sneakers but can easily go into a heel, and I feel good in a nice dress moment or even a tech fleece. To me, fashion gives my personality permission to show up. It helps me get into the mindset that I can be whoever I want to be on any day. I’m not saying that I adapt my personality to my clothes. It’s more that clothes allow me to adopt the concept of, ‘Kayla, you are many things and you are allowed to be many things — and those many things look pretty dope, too.’ I feel like I do my job that much better coming at it with a certain confidence because, for me, my outfits help set the tone.”

 

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On her relationship with beauty:

‘I love to play with my hair and I love a good nighttime routine: heavy face cream, eye cream — all of those things. I really believe in the practice of settling down and ‘taking off’ the day. And I love to play with makeup. I think because for so long I wasn’t getting makeup artists who knew how to properly work with my skin tone — today I work with a really good artist — I found fun in watching YouTube and Instagram videos (these days I’m all about TikTok) and learning how to do things on my own. They made me fall in love with the process of getting ready and knowing that I have the tools myself to make myself look my best.”

 

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On the future of The Shift:

“I see The Shift becoming a completely different show, owned by a completely different network and produced by a completely different person. What I’ve created is just a starting point. I want someone else to eventually go out there and create the next Shift, but like ten times better with ten times more resources. I want The Shift to be a testament to what you can do when you put pen down to paper from your ideas and actually see them through. I hope that the show sparks others to go for it in their own ways, and not limit or cap things. I want abundance for what the show has already brought and the team and staff behind it that I’m so lucky to work alongside. Bigger, greater things ahead are what I see.”

The post Sports Reporter Kayla Grey on Style, Authenticity and Highlighting Black Joy appeared first on FASHION Magazine.



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  Introducing ProDentim: The Revolutionary Probiotic for Your Teeth, Gut, and Beyond In today's world, dental care has evolved far beyon...